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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds during 1977

The talented musician, a key member of the innovative 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He later formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.

Recent Health Challenges

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I managed to injure myself significantly," he commented in 2023. "I broke lower vertebrae in my spine and fractured about multiple ribs and broke my wrist."

After contracting pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and stayed in hospital for half a year.

However, he had been in "high spirits mentally" during the summer, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for publication next year.

"He was focused and very pleased with the new album that we literally completed only a few days ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was all set to be such an positive time for him, and I find comfort from the knowledge that he heard the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense aspect of my life and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a partnership with someone is different from being in a group, the bond is very tight," he continued.
"That was the case with us. We went through so many extraordinary, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of a music genre, they established Soft Cell the very year, and promptly recorded an extended play.

Musical Partnership

The pair were an unusual combination: Ball was the reserved musician, bent over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk appear on BBC program a popular series, and started to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of 1981, shifting 21 million copies worldwide. Alongside successful tracks by other artists, Human League and electronic acts, it contributed to paved the way for the electronic music style of the 80s.

The track was also included on their full-length debut, their initial LP, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on new material until just before Ball's death

Professional Journey

Success had its upsides. "I loved being able to afford my first home, having financial security and exploring, which might seem like a beauty queen," Ball recently told with a publication.

But it also caused problems. "Newfound wealth meant we could purchase newfound drugs to relieve the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

Amidst the party-filled existence, the pair were also growing distant, but they succeeded to produce a follow-up classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond proceeded to have a prosperous individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the O2 Arena on September 30, that year.

However, they remained active, creating their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the duo's upcoming release as a homage to the NYC nightlife they frequented while making their first two albums.

He noted that his time in medical care had shaped the band's sound.

"I had unusual memories when I was in and out of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the sounds in my head from that time.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The final mixes were completed only a short time before Ball passed away. It is due for release in the spring of 2026.

By

Lori Moody

A tech enthusiast and digital strategist with over a decade of experience in analyzing emerging technologies and their impact on society.

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