That Floating Poo Was Way Too Symbolic! It's the TV Disappointments of the Past Year.

As we consider the TV landscape of the past year, a handful of shows stand out not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing sequels to bafflingly bad docuseries, here are the programmes that had us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final series began, it looked like it had at last hit its stride. Then came an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last season. It ended on a bum note; the closeup of Miranda’s toilet full of poo was just way too symbolic. Still, viewers certainly found joy dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The recipient of a exceedingly uncommon zero star review, it was hard to know where to start listing the flaws. The hilariously leaden writing? The tedious glorification of affluence and materialism? The almost wilful procession of cliches? Performances so poor they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any pity this series might evoke should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the get-go: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate unconvincing accents. But there were many other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London rogues which felt a bit basic.

With Love, Meghan

Considering the degree to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into twee lifestyle as deliberate provocations. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a homeware catalogue animated; a meme for wine o’clock with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll not remember instantly. All supported by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be discussed about both Victoria Beckham and her struggles with vocation, identity, self-worth. But for whatever reason, this documentary series chose not to explore them. Rather, the experience was like reading a sales brochure. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any helps with this guarded non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a famous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you want? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

Too Much

How do you succeed a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated with care. Instead, the series struggled painfully to find the right voice, lumbering from oddly jaunty, somewhat stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

Prime Target

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about government agencies targeting – and eliminating – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for explicit escapades as she prepared for her biggest feat yet. What on earth would possess her? What we craved was way more examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son away from the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Lori Moody
Lori Moody

A tech enthusiast and digital strategist with over a decade of experience in analyzing emerging technologies and their impact on society.